Anne Duk Hee Jordan | alexander levy

Snailing (Slippy slimy slug slut) — Snailing (Slippy slimy slug slut)

2024, collage of snail sex in mud environment printed on Voile B1, printed carpet with salad leafs (Lettuce, Radicchio, Perilla), sound (Jeremy Karaoke Songs), aluminum planter with plants (cabbage and kale), steel left spiral curtain rod, plush pillows, grow lights for planters, silver mirrored and neon vinyl sheets, wood, mulch, rocks, moss, fog machine, amorphous blown glass, plastic shell, led lights, batteries, dimensions variable, installation view Canal Projects, New York, 2024. Commissioned by Canal Projects. Courtesy of Canal Projects and the artist, photo: Izzy Leung

Snailing (Slippy slimy slug slut) — Snailing (Slippy slimy slug slut)

2024, collage of snail sex in mud environment printed on Voile B1, printed carpet with salad leafs (Lettuce, Radicchio, Perilla), sound (Jeremy Karaoke Songs), aluminum planter with plants (cabbage and kale), steel left spiral curtain rod, plush pillows, grow lights for planters, silver mirrored and neon vinyl sheets, wood, mulch, rocks, moss, fog machine, amorphous blown glass, plastic shell, led lights, batteries, dimensions variable, installation view Canal Projects, New York, 2024. Commissioned by Canal Projects. Courtesy of Canal Projects and the artist, photo: Izzy Leung

The End is Where We Start From — The End is Where We Start From

2024, printed TSC Voile, round steel, octopus arms, rubber octopus, can, LEDs, aluminium, motors, algae, bicycle tube, wood, 5 stainless steel kidney trays, 5 mini silicone brains, tubes, dimensions variable, installation view at KunstHaus Wien, ©KunstHausWien, photo: Michael Strasser

The End is Where We Start From — The End is Where We Start From

2024, printed TSC Voile, round steel, octopus arms, rubber octopus, can, LEDs, aluminium, motors, algae, bicycle tube, wood, 5 stainless steel kidney trays, 5 mini silicone brains, tubes, dimensions variable, installation view at KunstHaus Wien, ©KunstHausWien, photo: Michael Strasser

Right Crab Arm — Right Crab Arm

2023, aluminum, motors, 40 × 20 × 40 cm, installation view at KunstHaus Wien, ©KunstHausWien, photo: Michael Strasser

Slippy slimy slug slut (Dedicated to Jeremiah the left-coiled snail) — Slippy slimy slug slut (Dedicated to Jeremiah the left-coiled snail)

2024, aquascape, various plants and snails, silica sand, 188 × 320 × 90 cm, technical engineering & realization: reefness, installation view at KunstHaus Wien, ©KunstHausWien, photo: Michael Strasser

I Used To Be Van Mies — I Used To Be Van Mies

2024, pinewood, neon paint, tillandsia, 110 × 220 × 50 cm, installation view at KunstHaus Wien, ©KunstHausWien, photo: Michael Strasser

I Used To Be Van Mies — I Used To Be Van Mies

2024, pinewood, neon paint, tillandsia, 130 x 164 x 50 cm, installation view at KunstHaus Wien, ©KunstHausWien, photo: Michael Strasser

I Used To Be Van Mies — I Used To Be Van Mies

2024, pinewood, neon paint, tillandsia, 160 × 117 × 50 cm, installation view at KunstHaus Wien, ©KunstHausWien, photo: Michael Strasser

Electrify Me, Baby — Electrify Me, Baby

2024, mixed media, dimensions variable, installation view "(A)I Tell You, You Tell Me. Three Encounters for Humans/Machines", ZKM | Center for Art and Media Karlsruhe, photo: Felix Grünschloß, photo (c) ZKM | Karlsruhe

Electrify Me, Baby — Electrify Me, Baby

2024, mixed media, dimensions variable, installation view "(A)I Tell You, You Tell Me. Three Encounters for Humans/Machines", ZKM | Center for Art and Media Karlsruhe, photo: Felix Grünschloß, photo (c) ZKM | Karlsruhe

I will always weather you — I will always weather you

2023, 3 channel video, 4 channel sound, wood, aluminum, mechanics, motors, high density polyethylene (HDPE), resin, casted glass, water, paint, cans, plastic helmet, dimensions variable, installation view Anne Duk Hee Jordan, I will always weather with you, 2023, photo: Zaire Aranguren, courtesy of The Bass, Miami Beach

I will always weather you — I will always weather you

2023, 3 channel video, 4 channel sound, wood, aluminum, mechanics, motors, high density polyethylene (HDPE), resin, casted glass, water, paint, cans, plastic helmet, dimensions variable, installation view Anne Duk Hee Jordan, I will always weather with you, 2023, photo: Zaire Aranguren, courtesy of The Bass, Miami Beach

Ziggy and the Starfish — Ziggy and the Starfish

2016-2018, video installation, bed, fishnet, fish pillows, two single - channel HD videos, sound, 16:28 | 21:01 min, installation view "RE/SISTERS: A Lens on Gender and Ecology", 2023, Barbican, London, photo: Max Colson

Ziggy and the Starfish — Ziggy and the Starfish

2016-2018, video installation, bed, fishnet, fish pillows, two single - channel HD videos, sound, 16:28 | 21:01 min, installation view "RE/SISTERS: A Lens on Gender and Ecology", Barbican, London, photo: Max Colson

Ziggy and the Starfish — Ziggy and the Starfish

2016-2018, video installation, bed, fishnet, fish pillows, two single - channel HD videos, sound, installation view "RE/SISTERS: A Lens on Gender and Ecology", 2023, Barbican, London, photo: Max Colson

Ziggy and the Starfish — Ziggy and the Starfish

2016-2018, video installation, bed, fishnet, fish pillows, two single - channel HD videos, sound, 16:28 | 21:01 min, installation view Polygon Gallery, North Vancouver, Canada, 2022. Photo: Polygon Gallery

Ziggy and the Starfish — Ziggy and the Starfish

2016-2018, video installation, bed, fishnet, fish pillows, two single - channel HD videos, sound, 16:28 | 21:01 min, installation view Polygon Gallery, North Vancouver, Canada, 2022. Photo: Polygon Gallery

Ziggy and the Starfish — Ziggy and the Starfish

2016-2018, video installation, bed, fishnet, fish pillows, two single - channel HD videos, sound, 16:28 | 21:01 min, installation view "life-bestowing cadaverous soooooooooooooooooooot", 2024, CCA Glasgow, Scotland, photo: Alan Dimmick

Ziggy and the Starfish — Ziggy and the Starfish

2016-2018, video installation, bed, fishnet, fish pillows, two single - channel HD videos, sound, 16:28 | 21:01 min

So long, and thank you for all the fish — So long, and thank you for all the fish

2023, mixed media, dimensions variable, installation view 14th Gwangju Biennale, Horanggasy Artpolygon, South Korea, 2023

So long, and thank you for all the fish — So long, and thank you for all the fish

2023, mixed media, dimensions variable, installation view 14th Gwangju Biennale, Horanggasy Artpolygon, South Korea, 2023

Octopus Garden from So long, and thank you for all the fish — Octopus Garden from So long, and thank you for all the fish

2023, mixed media, dimensions variable, installation view 14th Gwangju Biennale, Horanggasy Artpolygon, South Korea, 2023

Octopus Garden from So long, and thank you for all the fish — Octopus Garden from So long, and thank you for all the fish

2023, mixed media, dimensions variable, installation view 14th Gwangju Biennale, Horanggasy Artpolygon, South Korea, 2023

So long, and thank you for all the fish — So long, and thank you for all the fish

2023, mixed media, dimensions variable

So long, and thank you for all the fish — So long, and thank you for all the fish

2023, mixed media, dimensions variable

Worlds Away — Worlds Away

2022, 4 channel sound, bass shaker, neon ink printed on TCS Voile, clear resin, acrylic paint, UV lighting, mattresses, pillows , dimensions variable, installation view alexander levy, Berlin, Germany, 2023. Photo: Marcus Schneider

Worlds Away — Worlds Away

2022, 4 channel sound, bass shaker, neon ink printed on TCS Voile, clear resin, acrylic paint, UV lighting, mattresses, pillows , dimensions variable, installation view alexander levy, Berlin, Germany, 2023. Photo: Marcus Schneider

Worlds Away — Worlds Away

2023, installation view, alexander levy, Berlin, Germany

Worlds Away — Worlds Away

2022, 8 channel sound, bass shaker, neon ink printed on TCS Voile, clear resin, acrylic paint, UV lighting, mattresses, gaze, acrylic, foam, plaster, dimensions variable, installation view Martin Gropius Bau, Berlin, Germany. Photo: Laura Fiorio

Worlds Away — Worlds Away

2022, 8 channel sound, bass shaker, neon ink printed on TCS Voile, clear resin, acrylic paint, UV lighting, mattresses, gaze, acrylic, foam, plaster, dimensions variable

Worlds Away — Worlds Away

2022, 8 channel sound, bass shaker, neon ink printed on TCS Voile, clear resin, acrylic paint, UV lighting, mattresses, gaze, acrylic, foam, plaster, dimensions variable

Worlds Away — Worlds Away

2023, archival pigment print on Hahnemühle Photo Rag Baryta, fluorescent orange plexiglass frame, 124 x 240 cm

Story of Corals — Story of Corals

2019, pencil, acrylic, ink on paper, 67,5 x 87,5 cm

From the deep sea archive: piranhas are not so deep — From the deep sea archive: piranhas are not so deep

2018, acrylic and marker on paper, 36,7 x 49 cm

Twilight — Twilight

2022, plexiglass, dolly, mirror, metal ring, wood, plaster, steel, water, water pump, steamer, waterlilies, duckweed, MDF, air plants, dimensions variable, installation view Georg Kolbe Museum, Berlin, Germany, 2022. Photo: Enric Duch

Twilight — Twilight

2022, plexiglass, dolly, mirror, metal ring, wood, plaster, steel, water, water pump, steamer, waterlilies, duckweed, MDF, air plants, dimensions variable, installation view alexander levy, Berlin, Germany, 2023. Photo: Marcus Schneider

I used to Mies — I used to Mies

2022, MDF, air plants, biotope, copper plates, light system, 250 x 140 x 50 cm

Artificial Biotope — Artificial Biotope

2022, steel, water, water pump, steamer, waterlilies, duckweed, mirror, metal, 130 x 200 x 20 cm, metal ring dimensions variable

Fountain — Fountain

2022, wood, plaster, plexiglass., sculpture 120 x 118 x 143 cm, plinth 68 x 78,5 x 78,5 cm

Seacucumber — Seacucumber

2022, plaster, tadelakt, polishing soap, punic wax, liquid sodium silicate glass, 170 x 60 x 58 cm

Twilight — Twilight

2022, plexiglass, dolly, mirror, metal ring, wood, plaster, steel, water, water pump, steamer, waterlilies, duckweed, MDF, air plants, dimensions variable

Brakfesten – La Grande Bouffe with Pauline Doutreluingne — Brakfesten – La Grande Bouffe with Pauline Doutreluingne

2022, HD film, sound, wallpaper, wood, video: 28:14, dimensions variable, installation view Kunsthalle Mannheim, Germany, 2023. Photo: Elmar Witt

Brakfesten – La Grande Bouffe with Pauline Doutreluingne — Brakfesten – La Grande Bouffe with Pauline Doutreluingne

2022, HD film, sound, 28:14, video still

Brakfesten – La Grande Bouffe with Pauline Doutreluingne — Brakfesten – La Grande Bouffe with Pauline Doutreluingne

2022, HD film, sound, 28:14, video still

Brakfesten – La Grande Bouffe with Pauline Doutreluingne — Brakfesten – La Grande Bouffe with Pauline Doutreluingne

2022, HD film, sound, 28:14, video still

Brakfesten – La Grande Bouffe with Pauline Doutreluingne — Brakfesten – La Grande Bouffe with Pauline Doutreluingne

2022, HD film, sound, 28:14, installation view alexander levy, Berlin, Germany, 2023. Photo: Marcus Schneider

Brakfesten – La Grande Bouffe with Pauline Doutreluingne — Brakfesten – La Grande Bouffe with Pauline Doutreluingne

2022, HD film, sound, 28:14

Brakfesten – La Grande Bouffe with Pauline Doutreluingne — Brakfesten – La Grande Bouffe with Pauline Doutreluingne

2022, HD film, sound, 28:14

Brakfesten - La Grande Bouffe, Larvae — Brakfesten - La Grande Bouffe, Larvae

2022, Archival pigment print on Hahnemühle Photo Rag Baryta, custom made elm frame, 66 x 100 cm | 68,6 x 102,6 cm (framed), 6 + 2 A.P.

Brakfesten - La Grande Bouffe, Jump Spider — Brakfesten - La Grande Bouffe, Jump Spider

2022, Archival pigment print on Hahnemühle Photo Rag Baryta, custom made elm frame, 66 x 100 cm | 68,6 x 102,6 cm (framed), 6 + 2 A.P.

Brakfesten - La Grande Bouffe, Snailing — Brakfesten - La Grande Bouffe, Snailing

2022, Archival pigment print on Hahnemühle Photo Rag Baryta, custom made elm frame, 66 x 100 cm | 68,6 x 102,6 cm (framed), 6 + 2 A.P.

Brakfesten - La Grande Bouffe, The Bark Beetle Larvae — Brakfesten - La Grande Bouffe, The Bark Beetle Larvae

2022, Archival pigment print on Hahnemühle Photo Rag Baryta, custom made elm frame, 66 x 100 cm | 68,6 x 102,6 cm (framed), 6 + 2 A.P.

Brakfesten - La Grande Bouffe, The Bark Beetle — Brakfesten - La Grande Bouffe, The Bark Beetle

2022, Archival pigment print on Hahnemühle Photo Rag Baryta, custom made elm frame, 66 x 100 cm | 68,6 x 102,6 cm (framed), 6 + 2 A.P.

Suicidal necrophile — Suicidal necrophile

2023, acrylic, permanent and waterproof ink on paper , 67,5 x 87,5 cm, part of series Brakfesten – La Grande Bouffe

Sketch for Brakfesten — Sketch for Brakfesten

2022 , permanent and waterproof ink on paper , 36,7 x 49 cm, part of series Brakfesten – La Grande Bouffe

Only beetles are having sex — Only beetles are having sex

2021, oil on cardboard, 60,5 x 70,5 cm, part of series Brakfesten – La Grande Bouffe

Sketch for Brakfesten — Sketch for Brakfesten

2021, permanent and waterproof ink on paper, 36,7 x 49 cm, part of series Brakfesten – La Grande Bouffe

Sketch for Brakfesten — Sketch for Brakfesten

2021, permanent and waterproof ink on paper, 36,7 x 49 cm, part of series Brakfesten – La Grande Bouffe

Herr der Krähen — Herr der Krähen

2020, pencil, acrylic, ink on paper, 56 x 76 cm, part of series Brakfesten – La Grande Bouffe

Diasporae with Pauline Doutreluingne — Diasporae with Pauline Doutreluingne

2021, video, sound, mixed media, installation view, ngbk, Berlin, Germany, 2022

Diasporae with Pauline Doutreluingne — Diasporae with Pauline Doutreluingne

2021, video, sound, 21:30, installation view alexander levy, Berlin, Germany, 2022. Photo: Marcus Schneider

Diasporae with Pauline Doutreluingne — Diasporae with Pauline Doutreluingne

2021, video, sound, 21:30

Clam Extravaganza — Clam Extravaganza

2021, gaze, acrylic, foam, plaster, 75 x 220 x 103 cm, installation view, Urania Berlin, Germany, 2021. Photo: theta.cool

Mongolian Death Worm — Mongolian Death Worm

2021, TPU, inflatable, 250 cm (height)

Culo de Papa — Culo de Papa

2021, 3D printed clay, plants, dimensions variable, installation view Art Kiosk, Humboldt Forum, 2021

Culo de Papa — Culo de Papa

2021, 3D printed clay, plants, dimensions variable, installation view Art Kiosk, Humboldt Forum, 2021

Atmospheres of Breathing — Atmospheres of Breathing

2022, mixed media, dimensions variable, installation view, Transmediale, For Refusal, Kunstraum Kreuzberg/Bethanien, Berlin, Germany, 2021

Atmospheres of Breathing — Atmospheres of Breathing

2022, mixed media, dimensions variable

Atmospheres of Breathing — Atmospheres of Breathing

2022, mixed media, dimensions variable

Atmospheres of Breathing — Atmospheres of Breathing

2022, mixed media, dimensions variable

Atmospheres of Breathing

2022, installation view, Transmediale, For Refusal, 2021, Kunstraum Kreuzberg/Bethanien, Berlin, Germany

Buchsbäume — Buchsbäume

2020, box trees, motor frame, aluminium, sensors, plastic pots, LED lights, 282 x 84 x 46,5 cm

Ghost Shrimp — Ghost Shrimp

2019, PVC, acrylic and polystyrene spheres, 85 x 125 x 35 cm

Clapping Clams — Clapping Clams

2018, motors, mechanics, clams , dimensions variable, installation view Ziggy on the Land of Drunken Trees, Galerie Wedding, Berlin, Germany, 2018

Clapping Clams

2018, motors, mechanics, clams , dimensions variable

Into the Wild — Into the Wild

2017-Present, edible landscape, dimensions variable, installation view Immersion Festival, Martin Gropius Bau, Berlin, Germany, 2020. Photo: Kevin McElvany

Into the Wild — Into the Wild

2017-Present, edible landscape, dimensions variable, installation view Immersion Festival, Martin Gropius Bau, Berlin, Germany, 2020. Photo: Kevin McElvany

Into the Wild — Into the Wild

2017-Present, edible landscape, dimensions variable, installation view The Informale, Buenos Aires, Argentina, 2018.

Into the Wild — Into the Wild

2017-Present, edible landscape, dimensions variable, installation view The Informale, Buenos Aires, Argentina, 2018.

Into the Wild — Into the Wild

2017-Present, edible landscape, dimensions variable

Robotic Waste Crab — Robotic Waste Crab

2016, motors, mechanics, waste, 17 x 90 x 180 cm, installation view HEK, Basel, Switzerland, 2023. Photo: Franz Wamhof

Robotic Waste Crab

2016, motors, mechanics, waste