Meginei Aretz (The Country's Defenders) 2022, Bronze cast of Dittrichia viscosa, 220 x 30 cm Hahar (the mountain) 2022, Bronze cast of Dittrichia viscosa, 60 x 7 x 10 cm Expropriation 2019, Bronze cast of Dittrichia viscosa, 67 x 22 x 6,5 cm
The curse and the blessing (or a region bounded by two functions) 2021, Nabulsi soap bars, bricks made of mud from Qasr al-Yahud, 165 x 80 x 135 cm (variable dimensions)
If everything that exists has a place, place too will have a place… 2020, Bullet-riddled boundary barrels, Approx. 90 x 50 x 60 cm each | both approx. 90 x 112 x 69 cm
Semiology of the Underground 2021, Drawing of an Arabidopsis thaliana on a minefield warning sign, 15,5 x 18 cm
All at Sea 2021, Two basalt stones from the Golan Heights and two compasses, 13,5 x 12,5 cm and 17 x 13,5 cm (each stone)
This Line 2020, Fragments of the Israel-Jordan border float line, extract from the Jordanian Israeli peace treaty, 31,8 x 22,6 (frame) 42 x 45 (buoy)
Conflux 2019, Baptizing robes, water from the Israeli bank of Jordan River, water from the Jordanian bank of Jordan River, aerial photographs (courtesy of the Hebrew University, Jerusalem, The Department of Geography, the Aerial Photography Archive), mahogany, 64 x 154 x 5 cm
The Elephant in the Room 2019, installation view Centre d'Art la Panera, Lleida, Spain, Photo: Centre d'Art la Panera / Jordi V. Pou The Elephant in the Room 2019, detail, installation view Centre d'Art la Panera, Lleida, Spain, Photo: Centre d'Art la Panera / Jordi V. Pou The Elephant in the Room 2019, installation view Kunst Halle Sankt Gallen, Switzerland, courtesy: the artist; Harlan Levey Projects, Brussels, Belgium; Copperfield Gallery, London, UK. Photo: Kunst Halle Sankt Gallen, Gunnar Meier The Elephant in the Room 2019, installation view Kunst Halle Sankt Gallen, Switzerland, courtesy: the artist; Harlan Levey Projects, Brussels, Belgium; Copperfield Gallery, London, UK. Photo: Kunst Halle Sankt Gallen, Gunnar Meier
The Promise 2019, bronze, 51,5 x 32,3 cm, installation view Kunst Halle Sankt Gallen, Switzerland, courtesy: the artist; Harlan Levey Projects, Brussels, Belgium; Copperfield Gallery, London, UK. Photo: Kunst Halle Sankt Gallen, Gunnar Meier
1,101,678 2018, geocells, wood, metal, 240 x 240 x 13,5 cm, installation view, alexander levy, Berlin 1,101,678 2018, geocells, wood, metal, 240 x 240 x 13,5 cm, installation view, alexander levy, Berlin 102,408 2018, geocells, wood, metal, 240 x 240 x 13,5 cm, installation view, alexander levy, Berlin
Far As Where Olive Grows, Low As The Bottom Of The Sea 2018, olive waste, plaster, wood, 12 x 96 x 12 cm , installation view, MWW Muzeum Współczesne Wrocław, Poland
Kwisatz Haderach 2017, installation view, The Petach Tikva Museum of Art, Israel, Photo: Elad Sarig Kwisatz Haderach 2017, installation view, The Petach Tikva Museum of Art, Israel, Photo: Elad Sarig
A Moon in Ramallah is a Star in Hebron 2017, embroidered tablecloths, dimensions variable, installation view Kunst Halle Sankt Gallen, Switzerland, courtesy: the artist; Harlan Levey Projects, Brussels, Belgium; Copperfield Gallery, London, UK. Photo: Kunst Halle Sankt Gallen, Gunnar Meier A Moon in Ramallah is a Star in Hebron 2017, embroidered tablecloths
Seam ReZone 2015, leather footballs, variable dimensions, Photo: Cottin Laure Seam ReZone 2015, leather footballs, variable dimensions
Uproot 2015, 143 species of seeds, microscopic slides, tubes, petri dish, wood, 21 x 430 x 5 cm, installation view Harlan Levey Projects, Brussels, Belgium Uproot 2015, detail, 143 species of seeds, microscopic slides, tubes, petri dish, wood, 21 x 430 x 5 cm Uproot 2015, detail, 143 species of seeds, microscopic slides, tubes, petri dish, wood, 21 x 430 x 5 cm
Uproot 2014, pencil on paper, each 26 x 21 cm, installation view Kunst Halle Sankt Gallen, Switzerland, courtesy: the artist; Harlan Levey Projects, Brussels, Belgium; Copperfield Gallery, London, UK. Photo: Kunst Halle Sankt Gallen, Gunnar Meier Uproot 2014, pencil on paper, each 26 x 21 cm, installation view Kunst Halle Sankt Gallen, Switzerland, courtesy: the artist; Harlan Levey Projects, Brussels, Belgium; Copperfield Gallery, London, UK. Photo: Kunst Halle Sankt Gallen, Gunnar Meier