Longing
2024, bronze, 340,9 x 46 x 6 cm
Tears
2023, salt crystallization (from the Dead Sea), copper, dimensions variable, installation view "For Chaos They Yearn", the Haifa Museum of Art, Tel-Aviv, photo: Haifa Museum of Art / Hadar Saifan
Tears
2023, salt crystallization (from the Dead Sea), copper, dimensions variable, installation view "Ontology of the Void", alexander levy, Berlin, photo: Marcus Schneider
Tear
2023, salt crystallization (from the Dead Sea), copper, 124,6 x 17 x 14 cm
Tear
2023, salt crystallization (from the Dead Sea), copper, 77,4 x 25,5 x 24 cm
Tear
2023, salt crystallization (from the Dead Sea), copper, 93,5 x 27,6 x 27,3 cm
Tear
2023, salt crystallization (from the Dead Sea), copper, 93,5 x 27,6 x 27,3 cm, detail
Tear
2023, salt crystallization (from the Dead Sea), copper, 81,8 x 23 x 26 cm, detail
Tear
2023, salt crystallization (from the Dead Sea), copper, 116,2 x 14 x 24,5 cm, detail
Matter of Time
2023, geode and football, geode: 11,5 x 11,5 x 10 cm, football: 20 x 19 x 17,5 cm
Meginei Aretz (The Country's Defenders)
2022, Bronze cast of Dittrichia viscosa, 220 x 30 cm
Hahar (the mountain)
2022, Bronze cast of Dittrichia viscosa, 60 x 7 x 10 cm
Expropriation
2019, Bronze cast of Dittrichia viscosa, 67 x 22 x 6,5 cm
The Day the Sky Hung Low
2021, archival pigment print, 61 x 80 x 5 cm (each)
The curse and the blessing (or a region bounded by two functions)
2021, Nabulsi soap bars, bricks made of mud from Qasr al-Yahud, 165 x 80 x 135 cm (variable dimensions)
The Sword in the Stone
2021, Bronze cast of a squill, 158 x 60 x 20 cm
If everything that exists has a place, place too will have a place…
2020, Bullet-riddled boundary barrels, Approx. 90 x 50 x 60 cm each | both approx. 90 x 112 x 69 cm
Semiology of the Underground
2021, Drawing of an Arabidopsis thaliana on a minefield warning sign, 15,5 x 18 cm
All at Sea
2021, Two basalt stones from the Golan Heights and two compasses, 13,5 x 12,5 cm and 17 x 13,5 cm (each stone)
This Line
2020, Fragments of the Israel-Jordan border float line, extract from the Jordanian Israeli peace treaty, 31,8 x 22,6 (frame) 42 x 45 (buoy)
Conflux
2019, Baptizing robes, water from the Israeli bank of Jordan River, water from the Jordanian bank of Jordan River, aerial photographs (courtesy of the Hebrew University, Jerusalem, The Department of Geography, the Aerial Photography Archive), mahogany, 64 x 154 x 5 cm
The Elephant in the Room
2019, installation view Centre d'Art la Panera, Lleida, Spain, Photo: Centre d'Art la Panera / Jordi V. Pou
The Elephant in the Room
2019, detail, installation view Centre d'Art la Panera, Lleida, Spain, Photo: Centre d'Art la Panera / Jordi V. Pou
The Elephant in the Room
2019, installation view Kunst Halle Sankt Gallen, Switzerland, courtesy: the artist; Harlan Levey Projects, Brussels, Belgium; Copperfield Gallery, London, UK. Photo: Kunst Halle Sankt Gallen, Gunnar Meier
The Elephant in the Room
2019, installation view Kunst Halle Sankt Gallen, Switzerland, courtesy: the artist; Harlan Levey Projects, Brussels, Belgium; Copperfield Gallery, London, UK. Photo: Kunst Halle Sankt Gallen, Gunnar Meier
The Promise
2019, bronze, 51,5 x 32,3 cm, installation view Kunst Halle Sankt Gallen, Switzerland, courtesy: the artist; Harlan Levey Projects, Brussels, Belgium; Copperfield Gallery, London, UK. Photo: Kunst Halle Sankt Gallen, Gunnar Meier
1,101,678
2018, geocells, wood, metal, 240 x 240 x 13,5 cm, installation view, alexander levy, Berlin
1,101,678
2018, geocells, wood, metal, 240 x 240 x 13,5 cm, installation view, alexander levy, Berlin
102,408
2018, geocells, wood, metal, 240 x 240 x 13,5 cm, installation view, alexander levy, Berlin
Facts on the Ground
2018, bronze, 30 x 30 x 10 cm
Far As Where Olive Grows, Low As The Bottom Of The Sea
2018, olive waste, plaster, wood, 12 x 96 x 12 cm , installation view, MWW Muzeum Współczesne Wrocław, Poland
The Unknown Land Of The South
2017, steel, various soils, 50 x 50 cm
Seam ReZone
2015, leather footballs, variable dimensions, Photo: Cottin Laure
Seam ReZone
2015, leather footballs, variable dimensions
Uproot
2015, 143 species of seeds, microscopic slides, tubes, petri dish, wood, 21 x 430 x 5 cm, installation view Harlan Levey Projects, Brussels, Belgium
Uproot
2015, detail, 143 species of seeds, microscopic slides, tubes, petri dish, wood, 21 x 430 x 5 cm
Uproot
2015, detail, 143 species of seeds, microscopic slides, tubes, petri dish, wood, 21 x 430 x 5 cm
Uproot
2014, pencil on paper, each 26 x 21 cm, installation view Kunst Halle Sankt Gallen, Switzerland, courtesy: the artist; Harlan Levey Projects, Brussels, Belgium; Copperfield Gallery, London, UK. Photo: Kunst Halle Sankt Gallen, Gunnar Meier
Uproot
2014, pencil on paper, each 26 x 21 cm, installation view Kunst Halle Sankt Gallen, Switzerland, courtesy: the artist; Harlan Levey Projects, Brussels, Belgium; Copperfield Gallery, London, UK. Photo: Kunst Halle Sankt Gallen, Gunnar Meier