Die Mimik der Tethys 2019, High sea buoy, motors and cable winches, Dimensions variable, installation view Pista 500, Pinacoteca Agnelli Torino, courtesy of Pinacoteca Agnelli, Torino, photo: Sebastiano Pellion di Persano
We Were All Naked (Red Elephant Ear) 2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 147 x 220 cm, 4 + 2 A.P., photo: Tino Kukulies We Were All Naked (Red Elephant Ear) 2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 147 x 220 cm, 4 + 2 A.P., photo: Tino Kukulies We Were All Naked (Traveller‘s Tree) 2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 220 x 147 cm, 4 + 2 A.P., photo: Tino Kukulies We Were All Naked (Traveller‘s Tree) 2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 220 x 147 cm, 4 + 2 A.P., photo: Tino Kukulies We Were All Naked (Black Monkey-Thorn) 2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 220 x 147 cm, 4 + 2 A.P. We Were All Naked (Black Monkey-Thorn) 2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 220 x 147 cm, 4 + 2 A.P., photo: Tino Kukulies
The Elephant in the Room 2023, mixed media, dimensions variable, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März The Elephant in the Room 2023, mixed media, dimensions variable, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März The Elephant in the Room (Giraffe) 2023, mixed media, 545 x 236 x 236 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März The Elephant in the Room (Otto von Bismarck) 2023, mixed media, 380 x 150 x 318 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
I like the flowers 2017-2023, pressed and dried plants, mounted on stainless steel plates, dimensions variable, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März I like the flowers 2017-2023, pressed and dried plants, mounted on stainless steel plates, dimensions variable, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März I like the flowers (Bismarckia nobilis) 2023, pressed and dried plant, mounted on stainless steel plates, 334 x 375 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März I like the flowers (Pandanus utilis) 2023, pressed and dried plant, mounted on stainless steel plates, 258 x 268 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März I like the flowers (Licuala grandis) 2023, pressed and dried plant, mounted on stainless steel plates, 481 x 312 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März I like the flowers (Philodendron bipinnatifidum) 2023, pressed and dried plant, mounted on stainless steel plates, 303 x 305 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März I like the flowers (Anthurium plowmanii) 2023, pressed and dried plant, mounted on stainless steel plates, 195 x 204 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
Landscape Painting (Bismarck Sea, Volcano) 2023, archival pigment print on Hahnemühle Photo Rag Baryta, 373,2 x 184,4 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März Landscape Painting (Bismarck Sea, Volcano) 2023, archival pigment print on Hahnemühle Photo Rag Baryta, 373,2 x 184,4 cm
Bäume ohne Grenzen (Sommer 2022) I Tree Without Borders (Summer 2022) 2022, Archival pigment print on Photo Rag Baryta, 150 x 226 cm
Time Apparatus 2022, First surface aluminium mirrors on polymer layer in slate boulders, Dimensions variable
it is just property 2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP it is not as dangerous as it is dramatic 2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP she is doing as predicted 2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP is it too late to leave 2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP there is something unique about what we're getting hit with 2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP three days of water - three days of food 2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP
Blitzrakete 2021, aluminium, silver-coated Kevlar thread, 155 cm Ø 19cm Blitzrakete 2021, aluminium, silver-coated Kevlar thread, 155 cm Ø 19cm, detail Blitzrakete 2021, aluminium, silver-coated Kevlar thread, 155 cm Ø 19cm, detail Blitzrakete 2021, aluminium, silver-coated Kevlar thread, 155 cm Ø 19cm, test launch Blitzrakete 2021, aluminium, silver-coated Kevlar thread, 155 cm Ø 19cm, test launch
Fire with Fire (Test Apparatus #8) 2021, Archival pigment print on Hahnemühle Photo Rag Baryta, tile frame, 140 x 270 cm Fire with Fire (Test Apparatus #5) 2021, Archival pigment print on Hahnemühle Photo Rag Baryta, tile frame, 135 x 90 cm Fire with Fire (Test Apparatus #4) 2021, Archival pigment print on Hahnemühle Photo Rag Baryta, tile frame, 135 x 90 cm Fire with Fire (Test Apparatus #7) 2021, Archival pigment print on Hahnemühle Photo Rag Baryta, tile frame, 140 x 220 cm Fire with Fire (Test Apparatus #9) 2021, Archival pigment print on Hahnemühle Photo Rag Baryta, tile frame, 110 x 177 cm
Landscape Painting Quarry (Day) 2021, Archival pigment print on Photo Rag Ultra Smooth; graphite frame, 100 x 148 cm, image copyright Simon Vogel Landscape Painting Quarry (Night) 2021, Archival pigment print on Photo Rag Ultra Smooth; graphite frame, 100 x 148 cm, image copyright Simon Vogel
Neustadt 2021, 1:25 models of buildings of the Old Emscher in Duisburg, Variable dimensions, in collaboration with Marta Dyachenko Neustadt 2021, 1:25 models of buildings of the Old Emscher in Duisburg, Variable dimensions, in collaboration with Marta Dyachenko Neustadt 2021, 1:25 models of buildings of the Old Emscher in Duisburg, Variable dimensions, in collaboration with Marta Dyachenko Neustadt 2021, Variable dimensions, 1:25 models of buildings of the Old Emscher in Duisburg, in collaboration with Marta Dyachenko
Fire with Fire 2020, installation view, Bundeskunsthalle Bonn, Bonn, Germany Partisan Glade 2020, glazed ceramic, rotating LED display, 100 x 100 x 110 cm Fire with Fire 2020, installation view, Bundeskunsthalle Bonn, Bonn, Germany Eternitate 2020, glazed ceramic, rotating LED display, 150 x 150 x 27 cm Fire with Fire 2020, installation view, Bundeskunsthalle Bonn, Bonn, Germany Glory * Glory * Glory 2020, polystyrene, acrystal, epoxy resin, rotating LED display, 64 x 108 x 215 cm Fire with Fire 2020, installation view, Bundeskunsthalle Bonn, Bonn, Germany
Grand Staircase Escalante, We Must Ask You to Leave (mountain view drive), in cooperation with Julian Charrière 2018, archival pigment print on Hahnemühle Photo Rag Baryta, 110 x 165 cm Canyonlands, We Must Ask You to Leave (scenic viewpoint), in cooperation with Julian Charrière 2018, archival pigment print on Hahnemühle Photo Rag Baryta, 155 x 276 cm I Am Afraid 2019, installation view, Sies + Höke, Düsseldorf, Germany Island in the Sky, We Must Ask You to Leave (panoramic viewpoint) 2018, archival pigment print on Hahnemühle Photo Rag Baryta, 110 x 165 cm I Am Afraid 2019, installation view, Sies + Höke, Düsseldorf, Germany I Am Afraid
Die Mimik der Tethys 2019, high sea buoy; motors, cable winches, Installation view; Palais de Tokyo, Paris, France, Photo: André Morin
One Solution Revolution 2018, treadmill; steel, wood, rubber mat, motor, 1200 x 600 x 25 cm (variable dimensions)
Tiere sind Engel mit Fell (Alpha) 2018, fine art inkjet print , diptych, each 165 x 110 cm Tiere sind Engel mit Fell (Delta) 2018, fine art inkjet print , diptych, each 165 x 110 cm Tiere sind Engel mit Fell (Delta) 2018, fine art inkjet print , diptych, each 165 x 110 cm Tiere sind Engel mit Fell 2018, two-channel HD video installation, 20:27 min Tiere sind Engel mit Fell 2018, two-channel HD video installation, 20:27 min Tiere sind Engel mit Fell
Apocalypsoid 2018, installation view Art Cologne, 2018 Apocalypsoid 2018, stone, stainless steel, pigment ink, 26 x 22 x 22 cm Apocalypsoid 2018, flintstone (Rügen), stainless steel, pigment ink, 27 x 16 x 20 cm Apocalypsoid 2018, granite (Ticino), stainless steel, pigment ink, 26 x 25 x 26 cm Apocalypsoid 2018, granite (Ticino), stainless steel, pigment ink, 26 x 25 x 26 cm, detail Apocalypsoid 2017, Installation view Städtsche Galerie Wolfsburg Apocalypsoid
Irma To Come In Earnest 2017, HD video, 44 min., installation view Städtische Galerie Wolfsburg, Germany, 2017 Irma To Come In Earnest 2017, HD video, installation view Städtische Galerie Wolfsburg, Germany, 2017 Irma To Come In Earnest 2017, HD video, installation view Hamburger Kunsthalle, Germany, 2018 Irma To Come In Earnest 2017, HD video Irma To Come In Earnest 2017, HD video Irma To Come In Earnest
Racehorse for Christmas #1 2017, fine art inkjet print, 20 x 30 cm Racehorse for Christmas #2 2017, Fine art inkjet print, 20 x 30 cm Racehorse for Christmas #7 2017, fine art inkjet print, 60 x 90 cm Racehorse for Christmas #8 2017, fine art inkjet print, 60 x 90 cm Racehorse for Christmas
Talking to Thunder (Tree) 2017, fine art inkjet print, 225 x 150 cm Talking to Thunder (Palm Tree) 2017, fine art inkjet print, 225 x 150 cm Talking to Thunder (Bright Tree) 2017, fine art inkjet print, 225 x 150 cm Talking to Thunder 2017, HD video (video still) Talking to Thunder 2017, HD video (video still) Talking to Thunder
I like the flowers 2017, pressed and dried plants and animals, mounted on stainless steel plates, installation view Marlborough Contemporary, New York I like the flowers 2017, pressed and dried plants and animals, mounted on stainless steel plates, installation view Marlborough Contemporary, New York I like the flowers 2017, pressed and dried plants, mounted on stainless steel plates, installation view Sies + Höke, Düsseldorf I like the flowers 2017, pressed and dried plants, mounted on stainless steel plates, installation view Sies + Höke, Düsseldorf I like the flowers (Fatsia) 2017, pressed and dried plant and animals, mounted on stainless steel plate, 170 x 135 cm I like the flowers
Objects in Mirror Might Be Closer Than They Appear (In collaboration with Julian Charrière) 2016/2017, Video, 17:17 min, Art Basel Unlimited, courtesy Sies + Höke, Düsseldorf; Galerie Tschudi, Zuoz Objects in Mirror Might Be Closer Than They Appear I (In collaboration with Julian Charrière) 2016, fine art inkjet print, 80 x 60 cm Objects in Mirror Might Be Closer Than They Appear II (In collaboration with Julian Charrière) 2016, fine art inkjet print, 80 x 60 cm Objects in Mirror Might Be Closer Than They Appear VI (In collaboration with Julian Charrière) 2016, fine art inkjet print, 80 x 60 cm Objects in Mirror Might Be Closer Than They Appear VIII (In collaboration with Julian Charrière) 2016, fine art inkjet print, 80 x 60 cm Objects in Mirror Might Be Closer Than They Appear IX (In collaboration with Julian Charrière) 2016, fine art inkjet print, 80 x 60 cm Objects in Mirror Might Be Closer Than They Appear
Escape Velocity 2016, installation view Art Cologne Escape Velocity 2016, installation view Art Cologne Escape Velocity 2016, HD video Escape Velocity 2016, HD video Escape Velocity 2016, installation view Nassauischer Kunstverein Wiesbaden, Photo: Janine Drewes Escape Velocity
One More Night #2 2016, fine art inkjet print, 109 x 109 cm One More Night #4 2016, fine art inkjet print, 109 x 109 cm One More Night #5 2016, fine art inkjet print, 109 x 109 cm One More Night #6 2016, fine art inkjet print, 109 x 109 cm One More Night
Self-Revolving Torus (Synthetic leather) 2016, mixed media, 90 x 90 x 43 cm Self-Revolving Torus (Leather) 2016, mixed media, 60 x 60 x 27 cm Self-Revolving Torus (Fur) 2016, mixed media, 42 x 42 x 19 cm Self-Revolving Torus (Silver) 2016, mixed media, 108 x 108 x 46 cm Self-Revolving Torus
Landscape Painting (Forest) 2016, fine art inkjet print, 148 x 242 cm Landscape Painting Landscape Painting (Forest) 2016, HD video Landscape Painting (Forest) 2016, HD video Landscape Painting (Vorher, nachher, ein Jahr später) 2015, fine art inkjet print, triptych, each 60,2 x 90,2 cm Landscape Painting (Desert) 2015, HD video Landscape Painting (Desert) 2015, HD video Landscape Painting
Egocentric System 2015, concrete, steel, wood, 500 x 500 x 100 cm, Art Basel Unlimited, courtesy Marlborough Contemporary, New York
Jungle (in cooperation with Julian Charrière) 2015, fine art inkjet print, 150 x 270 cm Mountain III (in cooperation with Julian Charrière) 2014, fine art inkjet print, 100 x 150 cm Wald (in cooperation with Julian Charrière) 2013, fine art inkjet print, 100 x 160 cm Kunst
OMOH 2014, uniforms, display dummies, mixed media, installation view Winzavod Center for Contemporary Art, Moscow, Russia OMOH 2014, uniforms, display dummies, mixed media, installation view Winzavod Center for Contemporary Art, Moscow, Russia Polizei 2015, uniforms, display dummies, mixed media, installation view KW Institute for Contemporary Art, Berlin, Germany OMOH
History Apparatus 2014, wood, soil, sawdust, stone, variable dimensions, installation view Kunstverein Arnsberg, Germany History Apparatus 2014, wood, soil, sawdust, stone, installation view Neue Nationalgalerie, Berlin, Germany History Apparatus
Unfall am Mittelpunkt Deutschlands #2 2013, fine art inkjet print, 130 x 90,5 cm Unfall am Mittelpunkt Deutschlands #1 2013, fine art inkjet print, 130 x 90,5 cm Unfall am Mittelpunkt Deutschlands
Forest Apparatus 2013, HD video 28 min. Forest Apparatus (Brown I) 2013, fine art inkjet print, 111,8 x 73,4 cm Forest Apparatus (Gray) 2013, fine art inkjet print, 111,8 x 73,4 cm Forest Apparatus (Green) 2013, fine art inkjet print, 111,8 x 73,4 cm Forest Apparatus 2013, HD video 28 min. Forest Apparatus
Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière) 2012, process photo, Venice, Italy Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière) 2012, process photo, Venice, Italy Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière) 2012, fine art inkjet prints, each 38 x 27 cm Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière) 2012, fine art inkjet print, 38 x 27 cm Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière) 2012, fine art inkjet print, 38 x 27 cm Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière) 2012, installation view Den Frie center of contemporary art, Copenhagen, Denmark Some Pigeons Are More Equal Than Others
Punishment #2 2011, fine art inkjet print, 100 x 150 cm Punishment #3 2011, fine art inkjet print, 50 x 75 cm Punishment #7 2011, fine art inkjet print, 100 x 150 cm Punishment #9 2011, fine art inkjet print, 33 x 50 cm Punishment #5 2011, fine art inkjet print, 50 x 75 cm Punishment
Space Beyond Me 2010, 16 mm film, modified camera, mixed media, fluorescent foil, steel, 500 x 500 x 350 cm (variable dimensions)
Fulguration #5 (May Day Riot Police) 2009, fine art inkjet print, 50 x 75 cm Fulguration #3 (Mao and Magritte) 2008, fine art inkjet print, 100 x 102 cm Fulguration #1 (Barak Obama) 2008, fine art inkjet print, 50 x 75 cm NO (Pope) 2011, c-print, 250 x 180 cm, in cooperation with Santiago Sierra