POLIZEI, NNG
2025-2026, Archival pigment print on Hahnemühle Photo Rag Baryta, 122,8 x 220,8 cm, Edition of 6 + 2 A.P. , photo: Marcus Schneider
Normale Katastrophe
installation view KunstHausWien, 2025, photo: Sandro EE Zanzinger, courtesy of KunstHausWien
Normale Katastrophe
installation view KunstHausWien, 2025, photo: Sandro EE Zanzinger, courtesy of KunstHausWien
Madagaskar
2025, archival pigment print on Hahnemühle Photo Rag Baryta, 110 x 165 cm, edition of 3 + 2 A.P.
Naked hedge
2025, archival pigment print on Hahnemühle Photo Rag Baryta, 110 x 165 cm, edition of 3 + 2 A.P.
Half baked cactus
2025, archival pigment print on Hahnemühle Photo Rag Baryta, 110 x 73 cm, edition of 3 + 2 A.P.
Lemon tree
2025, archival pigment print on Hahnemühle Photo Rag Baryta, 110 x 73 cm, edition of 3 + 2 A.P.
Tree wall
2025, archival pigment print on Hahnemühle Photo Rag Baryta, 110 x 73 cm, edition of 3 + 2 A.P.
The Day the Ocean turned Black
2025, archival pigment print on Hahnemühle Photo Rag Baryta, 210,2 x 360,6 cm | 214,4 x 373,2 x 5 cm (framed), edition of 6 + 2 A.P., installation view "Normale Katastrophe", KunstHausWien, 2025, photo: Sandro EE Zanzinger
Landscape Painting (Mine)
2025, archival pigment print on Hahnemühle Photo Rag Ultra Smooth, 184,4 x 373,2 x 5 cm, edition of 6 + 2 A.P. , photo: Andreas Rossetti
Landscape Painting (Mine)
2025, archival pigment print on Hahnemühle Photo Rag Ultra Smooth, 150 × 222 cm, edition of 6 + 2 A.P., photo: Julius von Bismarck
OOOMG
2024, compressed wood strands, taxidermied animals, plants, textiles, cables and brass frame, 171 cm x 380 cm (framed: 173 cm x 388,5 cm)
Optimistic Scenario Board
2024, compressed wood strands, taxidermied animals, plants, textiles and brass frame, 145 cm x 108 cm (framed: 147 cm x 111 cm)
Organic Story Board
2024, compressed wood strands, taxidermied animals, plants, textiles, plastic bottle and brass frame, 145 cm x 108 cm (framed: 147 cm x 111 cm)
Grenzen der Intelligenzen
2024, 4K video, stereo sound, 20:00, Edition of 5 + 2 A.P.
Die Mimik der Tethys
2019, High sea buoy, motors and cable winches, Dimensions variable, installation view Pista 500, Pinacoteca Agnelli Torino, courtesy of Pinacoteca Agnelli, Torino, photo: Sebastiano Pellion di Persano
We Were All Naked (Red Elephant Ear)
2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 147 x 220 cm, 4 + 2 A.P., photo: Tino Kukulies
We Were All Naked (Red Elephant Ear)
2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 147 x 220 cm, 4 + 2 A.P., photo: Tino Kukulies
We Were All Naked (Traveller‘s Tree)
2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 220 x 147 cm, 4 + 2 A.P., photo: Tino Kukulies
We Were All Naked (Traveller‘s Tree)
2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 220 x 147 cm, 4 + 2 A.P., photo: Tino Kukulies
We Were All Naked (Black Monkey-Thorn)
2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 220 x 147 cm, 4 + 2 A.P.
We Were All Naked (Black Monkey-Thorn)
2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 220 x 147 cm, 4 + 2 A.P., photo: Tino Kukulies
The Elephant in the Room
2023, mixed media, dimensions variable, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
The Elephant in the Room
2023, mixed media, dimensions variable, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
The Elephant in the Room (Giraffe)
2023, mixed media, 545 x 236 x 236 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
The Elephant in the Room (Otto von Bismarck)
2023, mixed media, 380 x 150 x 318 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
I like the flowers
2017-2023, pressed and dried plants, mounted on stainless steel plates, dimensions variable, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
I like the flowers
2017-2023, pressed and dried plants, mounted on stainless steel plates, dimensions variable, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
I like the flowers (Bismarckia nobilis)
2023, pressed and dried plant, mounted on stainless steel plates, 334 x 375 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
I like the flowers (Pandanus utilis)
2023, pressed and dried plant, mounted on stainless steel plates, 258 x 268 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
I like the flowers (Licuala grandis)
2023, pressed and dried plant, mounted on stainless steel plates, 481 x 312 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
I like the flowers (Philodendron bipinnatifidum)
2023, pressed and dried plant, mounted on stainless steel plates, 303 x 305 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
I like the flowers (Anthurium plowmanii)
2023, pressed and dried plant, mounted on stainless steel plates, 195 x 204 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
Landscape Painting (Bismarck Sea, Volcano)
2023, archival pigment print on Hahnemühle Photo Rag Baryta, 373,2 x 184,4 cm, installation view, When Platitudes Become Form, 2023, Berlinische Galerie, Berlin, Germany. Photo: Roman März
Landscape Painting (Bismarck Sea, Volcano)
2023, archival pigment print on Hahnemühle Photo Rag Baryta, 373,2 x 184,4 cm
Landscape Painting (Bismarck Sea, Jungle)
2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 110 x 160 cm, Edition of 6 + 2 A.P.
Landscape Painting (Bismarck Sea, Surf)
2023, Archival pigment print on Hahnemühle Photo Rag Baryta, 160 x 110 cm, Edition of 6 + 2 A.P.
Landscape Painting (Bismarck Sea, Jungle)
2023, Heliogravure, 58,3 x 73,4 cm, Edition of 20 + 7 A.P. , Photo: Andrea Rossetti
Landscape Painting (Bismarck Sea, Surf)
2023, Heliogravure, 73,4 x 58,3 cm, Edition of 20 + 7 A.P.
Bäume ohne Grenzen (Sommer 2022) I Tree Without Borders (Summer 2022)
2022, Archival pigment print on Photo Rag Baryta, 150 x 226 cm
Time Apparatus
2022, First surface aluminium mirrors on polymer layer in slate boulders, Dimensions variable
it is just property
2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP
it is not as dangerous as it is dramatic
2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP
she is doing as predicted
2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP
is it too late to leave
2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP
there is something unique about what we're getting hit with
2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP
three days of water - three days of food
2022, Fine Art Print on Photo Rag Baryta, 81 x 131 cm (82,8 x 132,8 cm), 4 + 2 AP
Blitzrakete
2021, aluminium, silver-coated Kevlar thread, 155 cm Ø 19cm, Edition of 50 + 10 A.P.
Blitzrakete
2021, aluminium, silver-coated Kevlar thread, 155 cm Ø 19cm, Edition of 50 + 10 A.P., detail
Blitzrakete
2021, aluminium, silver-coated Kevlar thread, 155 cm Ø 19cm, Edition of 50 + 10 A.P., detail
Blitzrakete
2021, aluminium, silver-coated Kevlar thread, 155 cm Ø 19cm, Edition of 50 + 10 A.P., test launch
Blitzrakete
2021, aluminium, silver-coated Kevlar thread, 155 cm Ø 19cm, Edition of 50 + 10 A.P., test launch
Fire with Fire (Test Apparatus #8)
2021, Archival pigment print on Hahnemühle Photo Rag Baryta, tile frame, 140 x 270 cm
Fire with Fire (Test Apparatus #5)
2021, Archival pigment print on Hahnemühle Photo Rag Baryta, tile frame, 135 x 90 cm
Fire with Fire (Test Apparatus #4)
2021, Archival pigment print on Hahnemühle Photo Rag Baryta, tile frame, 135 x 90 cm
Fire with Fire (Test Apparatus #7)
2021, Archival pigment print on Hahnemühle Photo Rag Baryta, tile frame, 140 x 220 cm
Fire with Fire (Test Apparatus #9)
2021, Archival pigment print on Hahnemühle Photo Rag Baryta, tile frame, 110 x 177 cm
Landscape Painting Quarry (Day)
2021, Archival pigment print on Photo Rag Ultra Smooth; graphite frame, 100 x 148 cm, image copyright Simon Vogel
Landscape Painting Quarry (Night)
2021, Archival pigment print on Photo Rag Ultra Smooth; graphite frame, 100 x 148 cm, image copyright Simon Vogel
Landscape Painting Quarry (Day)
2023, Heliograviure, 58,3 x 73,4 cm, Edition of 20 + 7 A.P.
Neustadt
2021, 1:25 models of buildings of the Old Emscher in Duisburg, Variable dimensions, in collaboration with Marta Dyachenko
Neustadt
2021, 1:25 models of buildings of the Old Emscher in Duisburg, Variable dimensions, in collaboration with Marta Dyachenko
Neustadt
2021, 1:25 models of buildings of the Old Emscher in Duisburg, Variable dimensions, in collaboration with Marta Dyachenko
Neustadt
2021, Variable dimensions, 1:25 models of buildings of the Old Emscher in Duisburg, in collaboration with Marta Dyachenko
Fire with Fire
2020, installation view, Bundeskunsthalle Bonn, Bonn, Germany
Partisan Glade
2020, glazed ceramic, rotating LED display, 100 x 100 x 110 cm
Fire with Fire
2020, installation view, Bundeskunsthalle Bonn, Bonn, Germany
Eternitate
2020, glazed ceramic, rotating LED display, 150 x 150 x 27 cm
Fire with Fire
2020, installation view, Bundeskunsthalle Bonn, Bonn, Germany
Glory * Glory * Glory
2020, polystyrene, acrystal, epoxy resin, rotating LED display, 64 x 108 x 215 cm
Fire with Fire
2020, installation view, Bundeskunsthalle Bonn, Bonn, Germany
Grand Staircase Escalante, We Must Ask You to Leave (mountain view drive), in cooperation with Julian Charrière
2018, archival pigment print on Hahnemühle Photo Rag Baryta, 110 x 165 cm
Canyonlands, We Must Ask You to Leave (scenic viewpoint), in cooperation with Julian Charrière
2018, archival pigment print on Hahnemühle Photo Rag Baryta, 155 x 276 cm
I Am Afraid
2019, installation view, Sies + Höke, Düsseldorf, Germany
Island in the Sky, We Must Ask You to Leave (panoramic viewpoint)
2018, archival pigment print on Hahnemühle Photo Rag Baryta, 110 x 165 cm
I Am Afraid
2019, installation view, Sies + Höke, Düsseldorf, Germany
I Am Afraid
Die Mimik der Tethys
2019, high sea buoy; motors, cable winches, Installation view; Palais de Tokyo, Paris, France, Photo: André Morin
One Solution Revolution
2018, treadmill; steel, wood, rubber mat, motor, 1200 x 600 x 25 cm (variable dimensions)
Tiere sind Engel mit Fell (Alpha)
2018, fine art inkjet print , diptych, each 165 x 110 cm
Tiere sind Engel mit Fell (Delta)
2018, fine art inkjet print , diptych, each 165 x 110 cm
Tiere sind Engel mit Fell (Delta)
2018, fine art inkjet print , diptych, each 165 x 110 cm
Tiere sind Engel mit Fell
2018, two-channel HD video installation, 20:27 min
Tiere sind Engel mit Fell
2018, two-channel HD video installation, 20:27 min
Tiere sind Engel mit Fell
Apocalypsoid
2018, installation view Art Cologne, 2018
Apocalypsoid
2018, stone, stainless steel, pigment ink, 26 x 22 x 22 cm
Apocalypsoid
2018, flintstone (Rügen), stainless steel, pigment ink, 27 x 16 x 20 cm
Apocalypsoid
2018, granite (Ticino), stainless steel, pigment ink, 26 x 25 x 26 cm
Apocalypsoid
2018, granite (Ticino), stainless steel, pigment ink, 26 x 25 x 26 cm, detail
Apocalypsoid
2017, Installation view Städtsche Galerie Wolfsburg
Apocalypsoid
Irma To Come In Earnest
2017, HD video, 44 min., installation view Städtische Galerie Wolfsburg, Germany, 2017
Irma To Come In Earnest
2017, HD video, installation view Städtische Galerie Wolfsburg, Germany, 2017
Irma To Come In Earnest
2017, HD video, installation view Hamburger Kunsthalle, Germany, 2018
Irma To Come In Earnest
2017, HD video
Irma To Come In Earnest
2017, HD video
Irma To Come In Earnest
Die Luft muss man sich wegdenken
2017, steel wire, 1100 x 800 cm
Racehorse for Christmas #1
2017, fine art inkjet print, 20 x 30 cm
Racehorse for Christmas #2
2017, Fine art inkjet print, 20 x 30 cm
Racehorse for Christmas #7
2017, fine art inkjet print, 60 x 90 cm
Racehorse for Christmas #8
2017, fine art inkjet print, 60 x 90 cm
Racehorse for Christmas
Talking to Thunder (Tree)
2017, fine art inkjet print, 225 x 150 cm
Talking to Thunder (Palm Tree)
2017, fine art inkjet print, 225 x 150 cm
Talking to Thunder (Bright Tree)
2017, fine art inkjet print, 225 x 150 cm
Talking to Thunder
2017, HD video (video still)
Talking to Thunder
2017, HD video (video still)
Talking to Thunder
I like the flowers
2017, pressed and dried plants and animals, mounted on stainless steel plates, installation view Marlborough Contemporary, New York
I like the flowers
2017, pressed and dried plants and animals, mounted on stainless steel plates, installation view Marlborough Contemporary, New York
I like the flowers
2017, pressed and dried plants, mounted on stainless steel plates, installation view Sies + Höke, Düsseldorf
I like the flowers
2017, pressed and dried plants, mounted on stainless steel plates, installation view Sies + Höke, Düsseldorf
I like the flowers (Fatsia)
2017, pressed and dried plant and animals, mounted on stainless steel plate, 170 x 135 cm
I like the flowers
Objects in Mirror Might Be Closer Than They Appear (In collaboration with Julian Charrière)
2016/2017, Video, 17:17 min, Art Basel Unlimited, courtesy Sies + Höke, Düsseldorf; Galerie Tschudi, Zuoz
Objects in Mirror Might Be Closer Than They Appear I (In collaboration with Julian Charrière)
2016, fine art inkjet print, 80 x 60 cm
Objects in Mirror Might Be Closer Than They Appear II (In collaboration with Julian Charrière)
2016, fine art inkjet print, 80 x 60 cm
Objects in Mirror Might Be Closer Than They Appear VI (In collaboration with Julian Charrière)
2016, fine art inkjet print, 80 x 60 cm
Objects in Mirror Might Be Closer Than They Appear VIII (In collaboration with Julian Charrière)
2016, fine art inkjet print, 80 x 60 cm
Objects in Mirror Might Be Closer Than They Appear IX (In collaboration with Julian Charrière)
2016, fine art inkjet print, 80 x 60 cm
Objects in Mirror Might Be Closer Than They Appear
Escape Velocity
2016, installation view Art Cologne
Escape Velocity
2016, installation view Art Cologne
Escape Velocity
2016, HD video
Escape Velocity
2016, HD video
Escape Velocity
2016, installation view Nassauischer Kunstverein Wiesbaden, Photo: Janine Drewes
Escape Velocity
One More Night #2
2016, fine art inkjet print, 109 x 109 cm
One More Night #4
2016, fine art inkjet print, 109 x 109 cm
One More Night #5
2016, fine art inkjet print, 109 x 109 cm
One More Night #6
2016, fine art inkjet print, 109 x 109 cm
One More Night
Self-Revolving Torus (Synthetic leather)
2016, mixed media, 90 x 90 x 43 cm
Self-Revolving Torus (Leather)
2016, mixed media, 60 x 60 x 27 cm
Self-Revolving Torus (Fur)
2016, mixed media, 42 x 42 x 19 cm
Self-Revolving Torus (Silver)
2016, mixed media, 108 x 108 x 46 cm
Self-Revolving Torus
Landscape Painting (Forest)
2016, fine art inkjet print, 148 x 242 cm
Landscape Painting
Landscape Painting (Forest)
2016, HD video
Landscape Painting (Forest)
2016, HD video
Landscape Painting (Vorher, nachher, ein Jahr später)
2015, fine art inkjet print, triptych, each 60,2 x 90,2 cm
Landscape Painting (Desert)
2015, HD video
Landscape Painting (Desert)
2015, HD video
Landscape Painting
Egocentric System
2015, concrete, steel, wood, 500 x 500 x 100 cm, Art Basel Unlimited, courtesy Marlborough Contemporary, New York
Jungle (in cooperation with Julian Charrière)
2015, fine art inkjet print, 150 x 270 cm
Mountain III (in cooperation with Julian Charrière)
2014, fine art inkjet print, 100 x 150 cm
Wald (in cooperation with Julian Charrière)
2013, fine art inkjet print, 100 x 160 cm
Kunst
Hoch und Runter
2014, wood boat, steel, water, pump, 400 x 450 x 350 cm
OMOH
2014, uniforms, display dummies, mixed media, installation view Winzavod Center for Contemporary Art, Moscow, Russia
OMOH
2014, uniforms, display dummies, mixed media, installation view Winzavod Center for Contemporary Art, Moscow, Russia
Polizei
2015, uniforms, display dummies, mixed media, installation view KW Institute for Contemporary Art, Berlin, Germany
OMOH
History Apparatus
2014, wood, soil, sawdust, stone, variable dimensions, installation view Kunstverein Arnsberg, Germany
History Apparatus
2014, wood, soil, sawdust, stone, installation view Neue Nationalgalerie, Berlin, Germany
History Apparatus
Unfall am Mittelpunkt Deutschlands #2
2013, fine art inkjet print, 130 x 90,5 cm
Unfall am Mittelpunkt Deutschlands #1
2013, fine art inkjet print, 130 x 90,5 cm
Unfall am Mittelpunkt Deutschlands
Forest Apparatus
2013, HD video 28 min.
Forest Apparatus (Brown I)
2013, fine art inkjet print, 111,8 x 73,4 cm
Forest Apparatus (Gray)
2013, fine art inkjet print, 111,8 x 73,4 cm
Forest Apparatus (Green)
2013, fine art inkjet print, 111,8 x 73,4 cm
Forest Apparatus
2013, HD video 28 min.
Forest Apparatus
Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière)
2012, process photo, Venice, Italy
Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière)
2012, process photo, Venice, Italy
Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière)
2012, fine art inkjet prints, each 38 x 27 cm
Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière)
2012, fine art inkjet print, 38 x 27 cm
Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière)
2012, fine art inkjet print, 38 x 27 cm
Some Pigeons Are More Equal Than Others (In cooperation with Julian Charrière)
2012, installation view Den Frie center of contemporary art, Copenhagen, Denmark
Some Pigeons Are More Equal Than Others
Punishment #2
2011, fine art inkjet print, 100 x 150 cm
Punishment #3
2011, fine art inkjet print, 50 x 75 cm
Punishment #7
2011, fine art inkjet print, 100 x 150 cm
Punishment #9
2011, fine art inkjet print, 33 x 50 cm
Punishment #5
2011, fine art inkjet print, 50 x 75 cm
Punishment
Space Beyond Me
2010, 16 mm film, modified camera, mixed media, fluorescent foil, steel, 500 x 500 x 350 cm (variable dimensions)
Fulguration #5 (May Day Riot Police)
2009, fine art inkjet print, 50 x 75 cm
Fulguration #3 (Mao and Magritte)
2008, fine art inkjet print, 100 x 102 cm
Fulguration #1 (Barak Obama)
2008, fine art inkjet print, 50 x 75 cm
NO (Pope)
2011, c-print, 250 x 180 cm, in cooperation with Santiago Sierra