Reverse Cut - Precise Blur I
2020, duraclear, mounted behind glass, wood, 37 x 78 cm
Reverse Cut - Precise Blur I
2020, duraclear, mounted behind glass, wood, 37 x 78 cm
Inverse Element
2019, chipboard, MDF, wood, plaster, paint, spots, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia
Inverse Element
2019, chipboard, MDF, wood, plaster, paint, spots, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia
Inverse Element
2019, chipboard, MDF, wood, plaster, paint, spots, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia
Unflatten Image
2019, chipboard, paint, aluminium frame with LED-strips, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia
Unflatten Image
2019, chipboard, paint, aluminium frame with LED-strips, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia
Unflatten Image
2019, chipboard, paint, aluminium frame with LED-strips, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia
Reverse Cut - A Matter of Degree II, III, IV
2018, lambda prints on Duraclear, mounted behind glass, wood, variable dimensions, installation view alexander levy, Berlin Germany
Reverse Cut - A Matter of Degree I, VII
2018, lambda prints on Duraclear, mounted behind glass, wood, variable dimensions, installation view alexander levy, Berlin Germany
Reverse Cut - A Matter of Degree VII
2018, lambda print on Duraclear, mounted behind glass, wood, 76 x 99 x 14 cm
Reverse Cut - A Matter of Degree III
2018, lambda prints on Duraclear, mounted behind glass, wood, 113 x 76,5 x 20 cm
Reverse Cut - A Matter of Degree IV
2018, lambda prints on Duraclear, mounted behind glass, wood, 113 x 75,5 x 13 cm
Reverse Cut - A Matter of Degree V
2018, lambda prints on Duraclear, mounted behind glass, wood, 113 x 74,5 x 13 cm
Die Überwindung des Hintergrunds I, II
2018, Archival pigment prints, glass, wood, 111,5 x 75 x 7,5 cm and 118 x 75 x 7,5 cm
Die Überwindung des Hintergrunds I
2018, Archival pigment print, glass, wood, 118 x 75 x 7,5 cm
Die Überwindung des Hintergrunds II
2018, Archival pigment print, glass, wood, 111,5 x 75 x 7,5 cm
Korrektur der Gegenbewegung IV
2018, photo collage from archival pigment print, 130 x 89 cm
Korrektur der Gegenbewegung IV, (Detail)
2018, photo collage from archival pigment print, 130 x 89 cm
Korrektur der Gegenbewegung V
2018, photo collage from archival pigment print, 130 x 93 cm
Korrektur der Gegenbewegung V, (Detail)
2018, photo collage from archival pigment print, 130 x 93 cm
Korrektur der Gegenbewegung I
2015, photo collage from archival pigment print, 120 x 89 cm
Facetten einer Fassade
2018, installation view Marta Herford, Germany
Spaltungsirresein
2018, photo collages from archival pigment prints, each 40 x 59 cm
Spaltungsirresein XI
2018, photo collage from archival pigment prints, 40 x 59 cm
Spaltungsirresein IX
2018, photo collage from archival pigment prints, 40 x 59 cm
Spaltungsirresein X
2018, photo collage from archival pigment prints, 59 x 40 cm
Spaltungsirresein
2018, photo collages from archival pigment prints, each 59 x 40 cm , installation view Marta Herford, Germany
Die Variable des Raums
2016, photo collages from archival pigment prints, each 69 x 100,5 cm, installation view alexander levy, Berlin, Germany
Die Variable des Raums II
2016, photo collage from archival pigment prints, 69 x 100,5 cm
Die Variable des Raums VII
2016, photo collage from archival pigment prints, 69 x 100,5 cm
Die Variable des Raums I
2016, photo collage from archival pigment prints, 69 x 100,5 cm
Die Variable des Raums V
2016, photo collage from archival pigment prints, 69 x 100,5 cm
Die Variable des Raums
2016, photo collages from archival pigment prints, each 69 x 100,5 cm , installation view Marta Herford, Germany, 2018
Konstruktion im Augenblick
2016, acrylic paint, cardboard, LED stripes, 310 x 480 x 240 cm, installation view alexander levy, Berlin, Germany
Was war zu tun, fragte sich Zeus, legte seinen Bauch in Falten und verschwand darin
2016, UV-print on alu-dibond, cut and twisted, 232 x 206 x 117 cm, installation view KUNSTWERK - Sammlung Klein, Eberdingen-Nussdorf, Germany, 2018 (Photo: Jochen Detscher)
Was war zu tun, fragte sich Zeus, legte seinen Bauch in Falten und verschwand darin
2016, UV-print on alu-dibond, cut and twisted, 232 x 206 x 117 cm, installation view KUNSTWERK - Sammlung Klein, Eberdingen-Nussdorf, Germany, 2018 (Photo: Jochen Detscher)
Was war zu tun, fragte sich Zeus, legte seinen Bauch in Falten und verschwand darin
2016, UV-print on alu-dibond, cut and twisted, 232 x 206 x 117 cm
Vanishing Lines III
2016, photogram, 78,5 x 55,5 cm
Vanishing Lines V
2017, photogram, 59 x 50 cm
Vanishing Lines VIII
2017, photogram, 51 x 42 cm
Vanishing Lines VI
2017, photogram, 51 x 40 cm
Hang zur Selbstdarstellung
2015, clothes horse, fine art print, installation view, Salon am Moritzplatz, Berlin, Germany
Der Cmyk-Farbraum
2015, public art at Meindlschule München, Germany
Der Cmyk-Farbraum
2015, public art at Meindlschule München, Germany
Dekodierung der reflektierten Oberflächlichkeit
2014, epson ultra chrome HDR inkjet print, frame fragments, LED strips, 202 x 188 x 5 cm, installation view Fotogalerie Wien, Vienna, Austria, 2017
Dekodierung der reflektierten Oberflächlichkeit
2014, epson ultra chrome HDR inkjet print, frame fragments, LED strips, 202 x 188 x 5 cm
Dekodierung der reflektierten Oberflächlichkeit
2014, epson ultra chrome HDR inkjet print, frame fragments, LED strips, 202 x 188 x 5 cm
Stehende Welle
2013, print on tarpaulin, steel, 180 x 240 cm
Stehende Welle
2013, print on tarpaulin, steel, 180 x 240 cm
The Problem of Translation
2012, Wood, chipboard, fabric, variable dimensions, installation view Marrakech Biennale, Théâtre Royal, Marrakech, Morocco
The Problem of Translation
2012, wood, chipboard, fabric, variable dimensions, installation view Marrakech Biennale, Théâtre Royal, Marrakech, Morocco
The Problem of Translation
2012, wood, chipboard, fabric, variable dimensions, installation view Marrakech Biennale, Théâtre Royal, Marrakech, Morocco
The Problem of Translation
2012, wood, chipboard, fabric, variable dimensions, installation view Marrakech Biennale, Théâtre Royal, Marrakech, Morocco
Imperial Measurements
2010, MDF, wood, chipboard, styrodur, perspex, aluminium, paint, variable dimensions
Imperial Measurements
2010, MDF, wood, chipboard, styrodur, perspex, aluminium, paint, variable dimensions
Imperial Measurements
2010, MDF, wood, chipboard, styrodur, perspex, aluminium, paint, variable dimensions
Imperial Measurements
2010, MDF, wood, chipboard, styrodur, perspex, aluminium, paint, variable dimensions
Double Reduction
2010, large formate slides, glass, mirror, 20 x 25 slides each cm
Mise en Cadre
2010, analog black and white prints, installation view KUNSTWERK - Sammlung Klein, Eberdingen-Nussdorf, Germany, 2018 (Photo: Jochen Detscher)
Mise en Cadre I
2010, analog black and white print, 60 x 50 cm
Mise en Cadre II
2010, analog black and white print, 60 x 50 cm
Mise en Cadre VIII
2010, analog black and white print, 50 x 60 cm