Partments II and III 2024, installation view "Fiction of Reality", Bilker Bunker, Düsseldorf Partments II and III 2024, installation view "Fiction of Reality", Bilker Bunker, Düsseldorf Partments II 2024, UV printing on acrylic glass square columns, UV printing on aluminum square column, steel, 87 x 21 x 21 cm (sculpture), 102 x 27,9 cm (plinth) Partments III 2024, acrylic glass square columns, photo transfer on MDF, steel, 66 x 38 x 38 cm (sculpture), 110 x 31,5 x 31,5 cm (plinth)
Die verflüssigte Stadt (Frankfurt) and (Guangzhou) 2024, installation view "Fiction of Reality", Bilker Bunker, Düsseldorf Die verflüssigte Stadt (Frankfurt) 2024, float glass, fine art print laminated on multiplex board, steel, 142 x 93,5 x 7 cm Die verflüssigte Stadt (Guangzhou) 2024, float glass, fine art print laminated on multiplex board, steel, 142 x 93,5 x 7 cm
Simultane Abweichung (Bulgarische Botschaft, Berlin) 2024, UV-print behind glass, fine art print, steel, 120 x 81 x 10 cm Simultane Abweichung (Kaiserdamm, Berlin) 2024, UV-print behind glass, fine art print, steel, 120 x 81 x 10 cm
Einfassung des Blicks 2023, installation view alexander levy, Berlin, photo: Marcus Schneider Einfassung des Blicks 2023, installation view alexander levy, Berlin, photo: Marcus Schneider Einfassung des Blicks I 2023, Duraclear print mounted between glass, tinted glass, wooden frame, 73,7 x 72,9 x 100,7 cm | plinth: 78,7 x 77,9 x 93 cm Einfassung des Blicks 2023, Tinted glass, indentations, Dimensions variable Einfassung des Blicks 2023, Tinted glass, indentations, Dimensions variable
Ambivalenz des Rasters I - III 2023, Embossing, graphite, wax, Dimensions variable, installation view alexander levy, Berlin, photo: Marcus Schneider Ambivalenz des Rasters I 2023, Embossing, graphite, wax, 143,6 cm x 99,6 cm Ambivalenz des Rasters II 2023, Embossing, graphite, wax, 143,6 x 105,6 cm Ambivalenz des Rasters III 2023, Embossing, graphite, wax, 143,6 x 102,6 cm
Provozierte Ablenkung I-II 2023, Archival pigment print, glass, 104 x 70,2 x 6,2 cm (each), installation view alexander levy, Berlin, photo: Marcus Schneider Provozierte Ablenkung I 2023, Archival pigment print, glass, 104 x 70,2 x 6,2 cm Provozierte Ablenkung II 2023, Archival pigment print, glass, 104 x 70,2 x 6,2 cm
Opportunities of Displacement (Hong Kong Cultural Centre) 2023 , Steel, print on glass, 28 x 86,5 x 10 cm
Erscheinen um zu verschwinden (Hongkong II) 2022, Archival pigment print, glass strips, 69 x 46 cm | 71,4 x 48,4 cm (framed) Erscheinen um zu verschwinden (Hongkong III) 2022, Archival pigment print, glass strips, 69 x 46 cm | 71,4 x 48,4 cm (framed) Erscheinen um zu verschwinden (Hongkong IV) 2022, Archival pigment print, glass strips, 69 x 46 cm | 71,4 x 48,4 cm (framed)
Anticipation of the Moment 2021, installation view at alexander levy Anticipation of the Moment (Le Corbusier, Chandigarh) 2021, book page, glass strips, 30,3 x 21,9 cm Anticipation of the Moment (A. Aalto, Seinäjoki) 2021, book page, glass strips, 14,5 x 29,5 cm Anticipation of the Moment (I. Woldering, Hannover) 2021, book page, glass strips, 22,6 x 17,2 cm Anticipation of the Moment (Neutelings Riedijk Architects, Rotterdam) 2021, book page, glass strips, 19,1 x 18,5 cm
Erscheinen um zu verschwinden (Leipziger Straße) 2021, archival pigment print, glass strips, 71,6 x 48,4 cm Erscheinen um zu verschwinden (Leipziger Str. blau) 2021, archival pigment print, glass strips, 71,7 x 48,7 cm Erscheinen um zu verschwinden (Totalturm) 2021, archival pigment print, glass strips, 71,6 x 48,6 cm Erscheinen um zu verschwinden (Hong Kong) 2021, archival pigment print, glass strips, 49 x 71,8 cm Anticipation of the Moment 2021, installation view at alexander levy
Anticipation of the Moment 2021, installation view at alexander levy Passages Marginales (Bulgarische Botschaft) 2020, archival pigment print with sanding marks, 126 x 86 cm Passages Marginales (Mongolische Botschaft) 2020, archival pigment print with sanding marks, 126 x 86 cm Passages Marginales (Nordkoreanische Botschaft) 2020, archival pigment print with sanding marks, 126 x 86 cm
Inverse Element 2019, chipboard, MDF, wood, plaster, paint, spots, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia Inverse Element 2019, chipboard, MDF, wood, plaster, paint, spots, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia Inverse Element 2019, chipboard, MDF, wood, plaster, paint, spots, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia
Unflatten Image 2019, chipboard, paint, aluminium frame with LED-strips, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia Unflatten Image 2019, chipboard, paint, aluminium frame with LED-strips, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia Unflatten Image 2019, chipboard, paint, aluminium frame with LED-strips, installation view, Match Gallery / Galerija Vžigalica Ljubljana, Slovenia
Reverse Cut - A Matter of Degree II, III, IV 2018, lambda prints on Duraclear, mounted behind glass, wood, variable dimensions, installation view alexander levy, Berlin Germany Reverse Cut - A Matter of Degree I, VII 2018, lambda prints on Duraclear, mounted behind glass, wood, variable dimensions, installation view alexander levy, Berlin Germany Reverse Cut - A Matter of Degree VII 2018, lambda print on Duraclear, mounted behind glass, wood, 76 x 99 x 14 cm Reverse Cut - A Matter of Degree III 2018, lambda prints on Duraclear, mounted behind glass, wood, 113 x 76,5 x 20 cm Reverse Cut - A Matter of Degree IV 2018, lambda prints on Duraclear, mounted behind glass, wood, 113 x 75,5 x 13 cm Reverse Cut - A Matter of Degree V 2018, lambda prints on Duraclear, mounted behind glass, wood, 113 x 74,5 x 13 cm
Die Überwindung des Hintergrunds I, II 2018, Archival pigment prints, glass, wood, 111,5 x 75 x 7,5 cm and 118 x 75 x 7,5 cm Die Überwindung des Hintergrunds I 2018, Archival pigment print, glass, wood, 118 x 75 x 7,5 cm Die Überwindung des Hintergrunds II 2018, Archival pigment print, glass, wood, 111,5 x 75 x 7,5 cm
Korrektur der Gegenbewegung IV 2018, photo collage from archival pigment print, 130 x 89 cm Korrektur der Gegenbewegung IV, (Detail) 2018, photo collage from archival pigment print, 130 x 89 cm Korrektur der Gegenbewegung V 2018, photo collage from archival pigment print, 130 x 93 cm Korrektur der Gegenbewegung V, (Detail) 2018, photo collage from archival pigment print, 130 x 93 cm Korrektur der Gegenbewegung I 2015, photo collage from archival pigment print, 120 x 89 cm
Dekodierung der reflektierten Oberflächlichkeit 2014, Archival pigment print, wood, glass, aluminium, LED strips, 202 x 188 x 5 cm Dekodierung der reflektierten Oberflächlichkeit 2014, Archival pigment print, wood, glass, aluminium, LED strips, 202 x 188 x 5 cm, installation view at K60, Berlin
Spaltungsirresein 2018, photo collages from archival pigment prints, each 40 x 59 cm Spaltungsirresein XI 2018, photo collage from archival pigment prints, 40 x 59 cm Spaltungsirresein IX 2018, photo collage from archival pigment prints, 40 x 59 cm Spaltungsirresein X 2018, photo collage from archival pigment prints, 59 x 40 cm Spaltungsirresein 2018, photo collages from archival pigment prints, each 59 x 40 cm , installation view Marta Herford, Germany
Die Variable des Raums 2016, photo collages from archival pigment prints, each 69 x 100,5 cm, installation view alexander levy, Berlin, Germany Die Variable des Raums II 2016, photo collage from archival pigment prints, 69 x 100,5 cm Die Variable des Raums VII 2016, photo collage from archival pigment prints, 69 x 100,5 cm Die Variable des Raums I 2016, photo collage from archival pigment prints, 69 x 100,5 cm Die Variable des Raums V 2016, photo collage from archival pigment prints, 69 x 100,5 cm Die Variable des Raums 2016, photo collages from archival pigment prints, each 69 x 100,5 cm , installation view Marta Herford, Germany, 2018
Konstruktion im Augenblick 2016, acrylic paint, cardboard, LED stripes, 310 x 480 x 240 cm, installation view alexander levy, Berlin, Germany
Was war zu tun, fragte sich Zeus, legte seinen Bauch in Falten und verschwand darin 2016, UV-print on alu-dibond, cut and twisted, 232 x 206 x 117 cm, installation view KUNSTWERK - Sammlung Klein, Eberdingen-Nussdorf, Germany, 2018 (Photo: Jochen Detscher) Was war zu tun, fragte sich Zeus, legte seinen Bauch in Falten und verschwand darin 2016, UV-print on alu-dibond, cut and twisted, 232 x 206 x 117 cm, installation view KUNSTWERK - Sammlung Klein, Eberdingen-Nussdorf, Germany, 2018 (Photo: Jochen Detscher) Was war zu tun, fragte sich Zeus, legte seinen Bauch in Falten und verschwand darin 2016, UV-print on alu-dibond, cut and twisted, 232 x 206 x 117 cm
Vanishing Lines III 2016, photogram, 78,5 x 55,5 cm Vanishing Lines V 2017, photogram, 59 x 50 cm Vanishing Lines VIII 2017, photogram, 51 x 42 cm Vanishing Lines VI 2017, photogram, 51 x 40 cm
Hang zur Selbstdarstellung 2015, clothes horse, fine art print, installation view, Salon am Moritzplatz, Berlin, Germany
Der Cmyk-Farbraum 2015, public art at Meindlschule München, Germany Der Cmyk-Farbraum 2015, public art at Meindlschule München, Germany
Dekodierung der reflektierten Oberflächlichkeit 2014, epson ultra chrome HDR inkjet print, frame fragments, LED strips, 202 x 188 x 5 cm, installation view Fotogalerie Wien, Vienna, Austria, 2017 Dekodierung der reflektierten Oberflächlichkeit 2014, epson ultra chrome HDR inkjet print, frame fragments, LED strips, 202 x 188 x 5 cm Dekodierung der reflektierten Oberflächlichkeit 2014, epson ultra chrome HDR inkjet print, frame fragments, LED strips, 202 x 188 x 5 cm
Stehende Welle 2013, print on tarpaulin, steel, 180 x 240 cm Stehende Welle 2013, print on tarpaulin, steel, 180 x 240 cm
The Problem of Translation 2012, Wood, chipboard, fabric, variable dimensions, installation view Marrakech Biennale, Théâtre Royal, Marrakech, Morocco The Problem of Translation 2012, wood, chipboard, fabric, variable dimensions, installation view Marrakech Biennale, Théâtre Royal, Marrakech, Morocco The Problem of Translation 2012, wood, chipboard, fabric, variable dimensions, installation view Marrakech Biennale, Théâtre Royal, Marrakech, Morocco The Problem of Translation 2012, wood, chipboard, fabric, variable dimensions, installation view Marrakech Biennale, Théâtre Royal, Marrakech, Morocco
Imperial Measurements 2010, MDF, wood, chipboard, styrodur, perspex, aluminium, paint, variable dimensions Imperial Measurements 2010, MDF, wood, chipboard, styrodur, perspex, aluminium, paint, variable dimensions Imperial Measurements 2010, MDF, wood, chipboard, styrodur, perspex, aluminium, paint, variable dimensions Imperial Measurements 2010, MDF, wood, chipboard, styrodur, perspex, aluminium, paint, variable dimensions
Mise en Cadre 2010, analog black and white prints, installation view KUNSTWERK - Sammlung Klein, Eberdingen-Nussdorf, Germany, 2018 (Photo: Jochen Detscher) Mise en Cadre I 2010, analog black and white print, 60 x 50 cm Mise en Cadre II 2010, analog black and white print, 60 x 50 cm Mise en Cadre VIII 2010, analog black and white print, 50 x 60 cm